Tag Archives: Wilmington

Tommy Sands (10/27/2022)

Thursday, October 27, 2022 @ 7:30pm

Blue Ball Barn

1914 West Park Drive, Alapocas Run State Park, Wilmington, Delaware

Advanced Reserved Tickets: $26.00
Tickets Purchased at Door: $28.00
17 & under: FREE when accompanied by paying adult

Doors open at 6:30 pm.  Cash, check or credit card accepted for payment at door. Light refreshments will be available for purchase. The Blue Ball Barn is a Delaware State Parks system facility. Park entrance fees will not be in force during the concert. Ample free parking is available at the venue. No alcoholic beverages will be permitted.

Tommy Sands

Tommy Sands, County Down’s singer, songwriter and social activist has achieved something akin to legendary status in his own lifetime.

From the pioneering days with the highly influential Sands Family, bringing Irish Music from New York’s Carnegie Hall to Moscow’s Olympic Stadium, he has developed into one of the most powerful songwriters and enchanting solo performers in Ireland today.

His songwriting, which draws the admiration of Nobel Poet Laureate Seamus Heaney and father of folk music Pete Seeger, prompts respected US magazine Sing Out! to regard him as “the most powerful songwriter in Ireland, if not the rest of the world”.

His songs, like “There were Roses”, and “Daughters and Sons”, which have been recorded by Joan Baez, Kathy Matthea, Dolores Keane, Sean Keane, Frank Patterson, Dick Gaughan, The Dubliners and many others have been translated into many languages and are currently included in the English language syllabus in German secondary schools.

In May 2002 Tommy Sands received an honorary doctorate of Letters from The University of Nevada for his outstanding work as musician and ambassador for peace and understanding and, May 18th was pronounced “Tommy Sands Day in Reno”.

“The gentle songs of a gentle man, ringing out above the tumult and the shouting. . . Through people like Tommy Sands there will be an answer. . .”
BELFAST TELEGRAPH

“Tommy Sands has achieved that difficult but wonderful balance between knowing and loving the traditions of his home and being concerned with the future of the whole world. . .”
PETE SEEGER

DuoDuo (5/20/2020)

Wednesday, May 20, 2020 – 7:30 pm

Blue Ball Barn
1914 West Park Drive
(Alapocas Run State Park)
Wilmington, Delaware 19803

Tickets:
Adult – Advance: $24.00
Adult – Door: $28.00
17 & Under: FREE when accompanied by Adult

Buy Tickets for DuoDuo now

Doors open at 6:30 pm.  Cash, check or credit card accepted for payment at door. Light refreshments will be available for purchase. The Blue Ball Barn is a Delaware State Parks system facility. Park entrance fees will not be in force during the concert. No alcoholic beverages will be permitted.

The DuoDuo quartet (duoduoquartet.com) presents an unforgettable night of music, song, and dance, spanning from the intimacy of each duo to a collaboration featuring all four of these innovators and masters of their respective traditions and instruments.

Michigan-born percussive dancer Nic Gareiss and Edinburgh harpist Maeve Gilchrist met while teaching at the Shasta Fiddle Summit in Northern California. They continued their musical relationship with spontaneous collaborations at festivals and chance meetings and later toured together as part of Darol Anger’s band, ‘The Furies,’ finally making their duo debut at the Celtic Connections festival in Glasgow, Scotland. Sharing a deep respect for traditional music and culture while drawing on contemporary elements of music, movement, rhythm and improvisation, Nic and Maeve have emerged from the vibrant new acoustic scene as innovators in their fields. The percussion and drive of Nic’s footwork, combined with Maeve’s melodic and improvisational sensibilities, make for an explosive duet sure to delight both the ears and the eyes.

Natalie Haas is one of the most sought-after cellists in Celtic music today. She and Scottish fiddler Alasdair Fraser have toured as a duo for 18 years, wowing audiences at festivals and concerts worldwide with their unique sound. She has appeared on over 50 albums, including those of Cape Breton fiddler Natalie MacMaster; Irish greats Altan, Solas, and Liz Carroll; and Americana icon Dirk Powell. A graduate of the Juilliard School, Natalie is currently based in Boston, where she is an associate professor of cello at Berklee College of Music.

Montrealer Yann Falquet is one of the most creative acoustic guitarists in today’s QuĂ©bĂ©cois music scene. Over the last 15 years, he has recorded five albums and toured the world with French Canadian power trio Genticorum. Over the years, he has developed a unique personal guitar style for QuĂ©bĂ©cois folk music, rhythmically powerful yet subtly complex.

In the last few years, this husband and wife team of Natalie Haas and Yann Falquet have been touring together as a duo, performing a mix of Québécois traditional songs and new takes on folk music from throughout Western Europe.

HighTime (2/20/2020)

Thursday, February 20, 2020 7:30 pm

Blue Ball Barn
1914 West Park Drive
(Alapocas Run State Park)
Wilmington, Delaware 19803

Tickets:
Adult – Advance: $23.00
Adult – Door: $27.00
17 & Under: FREE when accompanied by Adult

Advance sales for this concert have ended. However, tickets will be available at the door for $27.00

Doors open at 6:30 pm.  Cash, check or credit card accepted for payment at door. Light refreshments will be available for purchase. The Blue Ball Barn is a Delaware State Parks system facility. Park entrance fees will not be in force during the concert. No alcoholic beverages will be permitted.

HighTime are an accomplished trio from the heart of Connemara on the West Coast of Ireland. Combining Irish music with an intriguing blend of modern folk influences, they produce a rich and unique sound and an electric energy onstage. This coupled with intricate three-part vocal harmonies and displays of exceptional, rhythmic step dance, have left audiences worldwide awestruck by their performances.

Hailing from the village of Ardmore on the rugged West Coast, CiarĂĄn Bolger and SĂ©amus Ó Flatharta have been immersed in the richest of Irish Culture from a very young age. Having been raised with the Irish Gaelic language as their mother-tongue in an area steeped in the Irish tradition, their knowledge, respect and appreciation of their heritage stands indisputable. Michael Coult, who grew up surrounded by some of the finest traditional musicians in the Irish diaspora of Manchester, completes the trio. A master in his field, Michael captivates audiences with his musical prowess and knowledge of his craft. HighTime have accumulated countless awards over the years, both individually and as a group.

(Video) HighTime – “The Village of Cloch Bui”

Featuring a distinctive line up of Celtic Harp, Flute, Guitar, BodhrĂĄn, Whistles and Vocals, HighTime make a youthful and energetic statement. The past two years have seen them travel extensively, performing in concert tours across the globe. The band has continued to make waves on the music scene to date. This saw them develop a very loyal following far and wide.

HighTime play with a breath-taking passion and zeal that is both effortless and drivingly soulful. Neighbours, Ciarån and Séamus alongside their great friend, Michael, have a unique and dynamic musical connection, through many years of performing individually and together. Their camaraderie is apparent in their performances and permeates every venue they step foot in, resulting in genuine and mutual elation in both HighTime and their audiences.

www.hightime.ie

MĂĄire NĂ­ Chathasaigh & Chris Newman (3/24/2020) – CANCELLED

Tuesday, March 24, 2020 – 7:30pm

Blue Ball Barn
1914 West Park Drive
(Alapocas Run State Park)
Wilmington, Delaware 19803

Tickets:
Adult – Advance: $22.00
Adult – Door: $26.00
17 & Under: FREE when accompanied by Adult


THIS SHOW HAS BEEN CANCELLED DUE TO THE ONGOING COVID-19 VIRUS CONCERNS. IF YOU PURCHASED AN ADVANCE TICKET, WE WILL CONTACT YOU REGARDING REFUND.

Doors open at 6:30 pm.  Cash, check or credit card accepted for payment at door. Light refreshments will be available for purchase. The Blue Ball Barn is a Delaware State Parks system facility. Park entrance fees will not be in force during the concert. Ample free parking is available at the venue. No alcoholic beverages will be permitted.

The celebrated virtuoso partnership of “the doyenne of Irish harpers” (SCOTLAND ON SUNDAY) MĂĄire NĂ­ Chathasaigh (MOY-ra nee HA-ha-see) and “one of the UK’s most staggering and influential acoustic guitarists” (fROOTS) Chris Newman, has by now brought its special musical vision to venues large and small – from the tiniest of historic churches in England, Germany and Italy to palaces in Kyoto and Istanbul, London’s Barbican, Sydney Town Hall and the Philharmonie in Cologne – in twenty-two countries on five continents. Their performances – described by The Irish Times as “music of fire and brilliance from the high-wire act in traditional music” – are rooted but eclectic, emotional but adventurous: a breathtaking blend of traditional Irish music, hot jazz, bluegrass and baroque, coupled with striking new compositions and Chris’s delightfully subversive wit. They’ve made many appearances on TV and radio and their busy touring schedule has brought them to twenty-one countries on five continents.

MĂĄire and Chris made their dĂ©but as a duo on the main stage at the 1987 Cambridge Folk Festival. Highlights fromtheir career since then include a 1988 tour of Australia as special guests of Siamsa TĂ­re – the Irish National `Folk Theatre – in celebration of Australia’s Bicentennial, at the invitation of Bob Hawke, then Prime Minister of Australia; a concert in the Ottoman Çırağan Palace as part of the Istanbul Harp Encounter in 2010; a concert with revered Japanese percussionist Stomu Yamashta and Ensemble Kabul in Nijo Castle (the Shogun’s Palace), Kyoto, Japan; many wonderful trips to Italy; a magical concert at the castle in Malcesine, Italy, overlooking a moonlit Lake Garda; four Irish Folk Festival tours of Germany in the late 80s and early 90s; four major tours of Australasia as part of the Guinness Celebration of Irish Music – Guinness Australia issued a special edition of their can for the Guinness Celebration of Irish Music tour of Australasia 1990, showing MĂĄire and Chris’s names and listing all the very prestigious tour venues! So many great times


maireandchris.com

Tannahill Weavers (4/28/2020) – CANCELLED

Tuesday, April 28, 2020 – 7:30pm

Blue Ball Barn
1914 West Park Drive
(Alapocas Run State Park)
Wilmington, Delaware 19803

Tickets:
Adult – Advance: $28.00
Adult – Door: $32.00
17 & Under: FREE when accompanied by Adult


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Doors open at 6:30 pm.  Cash, check or credit card accepted for payment at door. Light refreshments will be available for purchase. The Blue Ball Barn is a Delaware State Parks system facility. Park entrance fees will not be in force during the concert. Ample free parking is available at the venue. No alcoholic beverages will be permitted.

As they enter their 51st year in 2019, the Tannahill Weavers (Roy Gullane, guitar; Phil Smillie, flutes; John Martin, fiddle; Mike Katz, pipes) are one of Scotland’s premier traditional bands. Their diverse repertoire spans the centuries with fire-driven instrumentals, topical songs, and original ballads and lullabies. Their music demonstrates to old and young alike the rich and varied musical heritage of the Celtic people. These versatile musicians have received worldwide accolades consistently over the years for their exuberant performances and outstanding recording efforts that seemingly can’t get better
yet continue to do just that.

The Tannahills have turned their acoustic excitement loose on audiences with an electrifying effect. They have that unique combination of traditional melodies, driving rhythmic accompaniment, and rich vocals that make their performances unforgettable. As the Winnipeg Free Press noted, “The Tannahill Weavers – properly harnessed – could probably power an entire city for a year on the strength of last night’s concert alone. The music may be old time Celtic, but the drive and enthusiasm are akin to straight ahead rock and roll.”

Born of a session in Paisley, Scotland and named for the town’s historic weaving industry and local poet laureate Robert Tannahill, the group has made an international name for its special brand of Scottish music, blending the beauty of traditional melodies with the power of modern rhythms. The Tannahill Weavers began to attract attention when founding members Roy Gullane and Phil Smillie added the full-sized highland bagpipes to the on-stage presentations, the first professional Scottish folk group to successfully do so. The combination of the powerful pipe solos, Roy’s driving guitar backing and lead vocals, and Phil’s ethereal flute playing breathed new life into Scotland’s vast repertoire of traditional melodies and songs.

tannahillweavers.com

Green Willow & The Grand – Winter 2017 Season

Once again, the Green Willow Folk Club is proud to collaborate with Wilmington’s Grand Opera House to co-sponsor several of the Celtic/British Isles music and dance events in their current 2016-2017 season at their main venues on Market Street in Wilmington, as well as The Playhouse on Rodney Square.

Green Willow patrons can score a discount on tickets for these events by using the code ‘WILLOW‘ when ordering tickets online or by phone. The information below on each of these shows includes a direct link to order tickets online. To see all the upcoming offerings at The Grand, visit their main website at thegrandwilmington.org.


Thursday, January 19, 2017 – 8:00 pm

Enter The Haggis
We Banjo 3

Copeland Hall, The Grand Opera House
818 North Market Street
Wilmington, Delaware

The best and latest Celtic music from Ireland and Scotland, these

Enter The Haggis (1/19/2017 - the baby grand)
Enter The Haggis (1/19/2017 – the baby grand)

two bands will delight with their stunning combination of tradition and innovation. Direct from Galway, We Banjo 3 delighted Grand audiences as openers for Gaelic Storm two years ago, and came back for a headline show in the baby grand. The group does not have 3 members, and they don’t all play the banjo; but they do entertain

We Banjo 3 (1/19/2017 - the baby grand)
We Banjo 3 (1/19/2017 – the baby grand)

with a program that is offbeat, funny, and incredibly well-performed. After all, the band includes three all-Ireland music champs. The Irish Echo hails We banjo 3 as “freshness and finesse bordering on magical.” Enter The Haggis, a Toronto-based band, performs contemporary Celtic music with a rock edge. Imagine bagpipes and fiddles backed up with a rock n roll rhythm section! Festival circuit favorites for more than 20 years, Art Voice says Enter The Haggis is “innovative yet true to tradition” and the Washington Post exclaims “no one can anticipate the level of energy they throw down.”

More Information and/or Purchase Tickets


February 21 thru 26, 2017 – (Evening & Matinee Performances, check website for times)

Riverdance: 20 Years

The Playhouse on Rodney Square
1007 North Market Street
Wilmington, Delaware

The international Irish dance phenomenon—and one of the highest

Riverdance: 20 Years (2/21 thru 2/26, 2017 - Playhouse on Rodney Square)
Riverdance: 20 Years (2/21 thru 2/26, 2017 – Playhouse on Rodney Square)

grossing shows in Playhouse history— is back by popular demand in Riverdance – The 20th Anniversary World Tour. Drawing on Irish traditions, the combined talents of the performers propel Irish dancing and music into the present day, capturing the imagination of audiences across all ages and cultures in an innovative and exciting blend of dance, music and song. Of all the performances to emerge from Ireland—in rock, music, theatre and film—nothing has carried the energy, the sensuality and the spectacle of Riverdance.

Riverdance – The 20th Anniversary World Tour is composed by Bill Whelan, produced by Moya Doherty and directed by John McColgan, and comes directly to North America from a sold-out run across Europe and Asia.

More Information and/or Purchase Tickets (Tuesday, February 21)
More Information and/or Purchase Tickets (Wednesday, February 22 – Matinee)
More Information and/or Purchase Tickets (Wednesday, February 22 – Evening)
More Information and/or Purchase Tickets (Thursday, February 23)
More Information and/or Purchase Tickets (Friday, February 24)
More Information and/or Purchase Tickets (Saturday, February 25 – Matinee)
More Information and/or Purchase Tickets (Saturday, February 25 – Evening)
More Information and/or Purchase Tickets (Sunday, February 26)


Saturday, February 25, 2017 – 8:00 pm

April Verch

the baby grand, The Grand Opera House
818 North Market Street
Wilmington, Delaware

Fiddler, singer, and stepdancer April Verch knows how relevant an old tune can be. She took the leap into professional musicianship at a young age, and has been quietly leaping into new, nuanced places for

April Verch (2/25/2017 - baby grand)
April Verch (2/25/2017 – baby grand)

more than two decades. Now on her milestone 10th album The Newpart, released in April 2015, Verch digs deep into songs and tunes for the era before the often-mined mid-century heyday of bluegrass and folk. Harkening back to vaudeville and beyond, Verch and her fellow trio members pare down their arrangements, highlighting the simple pleasures of upright bass, guitar, clawhammer banjo, mandolin, voices, fiddle, and stepping in intimate conversation. At the heart lie Verch’s delicate voice, energetic footwork, and stunning playing, a trifecta of talents she brings together simultaneously for the first time on stage. Verch keeps the community-fired celebratory side of her music at the forefront, honing a keen awareness of how to engage contemporary listeners. Even as she plays with the tradition she inherited in her native Ottawa Valley, Verch’s energetic and breathtaking performances speak to the heart of roots music with mature and reflective songwriting, interpreting, and storytelling.

More Information and/or Purchase Tickets


Thursday, March 2, 2017 – 8:00 pm

Gaelic Storm

Copeland Hall, The Grand Opera House
818 North Market Street
Wilmington, Delaware

After nearly two decades and more than 3,000 live shows, Gaelic Storm — the chart-topping, multi-national Celtic band — is looking sharper than ever with their latest release, Matching Sweaters. The new album mixes traditional Irish music with modern influences, creating a sound that’s as wide-ranging as the band’s own audience.

From bluegrass fans and country cowboys to Deadheads, rock &

Gaelic Storm (3/2/2017 - Copeland Hall)
Gaelic Storm (3/2/2017 – Copeland Hall)

rollers and Celtic fanatics, Gaelic Storm has built one of the most diverse fan bases in modern music. Matching Sweaters helps explain the broad appeal. Rooted in the songwriting of founding members Patrick Murphy and Steve Twigger, the album moves from drinking songs (“Another Stupid Drinking Song”) to energetic instrumentals (“The Narwhaling Cheesehead”) to rootsy pop/rockers (“Whiskeyed Up and Womaned Out”), gluing everything together with the spark and spirit of a band that’s spent close to 20 years on the road.

More Information and/or Purchase Tickets


Thursday, March 9, 2017 – 8:00 pm

Alasdair Fraser & Natalie Haas

the baby grand, The Grand Opera House
818 North Market Street
Wilmington, Delaware

The musical partnership between Alasdair Fraser, known as Scotland’s premier fiddle ambassador, and the sizzlingly-talented young California cellist Natalie Haas may not seem an obvious one. But the pair displays dazzling teamwork, driving, dancing rhythms,

Alasdair Fraser & Natalie Haas (3/9/2017 - the baby grand)
Alasdair Fraser & Natalie Haas (3/9/2017 – the baby grand)

and their shared passion for improvising on the melody and the groove of Scottish tunes. Their two instruments duck and dive around each other, swapping melodic and harmonic lines, and trading rhythmic riffs. Fraser, who has been called “the Michael Jordan of Scottish fiddling,” has a concert and recording career spanning 30 years, with a long list of awards, accolades, television credits, and feature performances on soundtracks like Last of the Mohicans and Titanic. Natalie Haas, a graduate of the Juilliard School of Music, wasn’t even born when Alasdair was winning national fiddle competitions on the other side of the Atlantic. Now regularly touring with Fraser and creating a buzz at festivals and in concert halls throughout Europe and North America, Natalie is in the vanguard of young cellists who are redefining the role of the cello in traditional music. The duo’s debut recording, Fire & Grace, won not only critical acclaim, but also the coveted Scots Trad Music “Album of the Year” award, the Scottish equivalent of a Grammy.

More Information and/or Purchase Tickets


Thursday, March 16, 2017 – 8:00 pm

The Five Irish Tenors

The Playhouse on Rodney Square
1007 North Market Street
Wilmington, Delaware

A unique program that blends Ireland’s traditional musical vocal

The Five Irish Tenors (3/16/2017 - Playhouse on Rodney Square)
The Five Irish Tenors (3/16/2017 – Playhouse on Rodney Square)

heritage with a modern, vibrant contemporary Ireland. Featuring classics such as “Danny Boy” and “My Wild Irish Rose” alongside Bono’s “In a Lifetime” and Brendan Graham’s “You Raise Me Up”.

The Five Irish Tenors in “Voices of Ireland” presents a thrilling,

dynamic program of joy and passion, spirit and love, performed by this magnificent group of Ireland’s leading tenors.

More Information and/or Purchase Tickets


Friday, March 31 thru Sunday, April 2, 2017 (Evening & Matinee Performances, check website for times)

ONCE

The Playhouse on Rodney Square
1007 North Market Street
Wilmington, Delaware

Winner of eight 2012 Tony AwardsÂź including BEST MUSICAL, ONCE is a truly original Broadway experience. Featuring an

ONCE (3/31-4/2, 2017 - Playhouse on Rodney Square)
ONCE (3/31-4/2, 2017 – Playhouse on Rodney Square)

impressive ensemble of actor/musicians who play their own instruments onstage, ONCE tells the enchanting tale of a Dublin street musician who’s about to give up on his dream when a beautiful young woman takes a sudden interest in his haunting love songs. As the chemistry between them grows, his music soars to powerful new heights
 but their unlikely connection turns out to be deeper and more complex than your everyday romance. Emotionally captivating and theatrically breathtaking, ONCE draws you in from the very first note and never lets go. It’s an unforgettable story about going for your dreams
 not living in fear
 and the power of music to connect all of us.

More Information and/or Purchase Tickets (Friday, March 31)
More Information and/or Purchase Tickets (Saturday, April 1 – Matinee)
More Information and/or Purchase Tickets (Saturday, April 1 – Evening)
More Information and/or Purchase Tickets (Sunday, April 2 – Matinee)
More Information and/or Purchase Tickets (Sunday, April 2 – Evening)

Méara Meara (6/27/2016)

Monday, June 27, 2016 – 7:30 pm

Méara Meara

Blue Ball Barn

1914 West Park Drive (Alapocas Run State Park), Wilmington, Delaware

Tickets: $15.00 Advance Reserved/$18.00 at Door/Age 17 & under FREE when accompanied by a paying adult

Seating is limited and reservations are recommended.  Doors open at 7:00 pm.  Cash or check accepted for payment.  E-mail concert ticket reservations to reservations@greenwillow.org or call 302-456-3242. Advance reservations end at Noon on the day of the concert.

MĂ©ara Meara (pronounced Mare-uh Mar-uh) is Irish for “lively fingers” and this trio has them. They are Haley Richardson (fiddle and vocals), Keegan Loesel (uilleann pipes, whistles, and vocals), and Dylan Richardson on guitar and bouzouki. Thirteen-year old Haley Richardson distinguished herself recently as Junior Fiddler of Dooney in 2015 at the Sligo Live Festival in Sligo, Ireland and has won seven Mid Atlantic Fleadh awards and two All Ireland Fleadh titles. Keegan Loesel has won twelve Mid Atlantic Fleadh titles, and is also an All Ireland medalist. They are joined by Dylan Richardson, a multi-instrumentalist who plays guitar, banjo, mandolin, and Irish bouzouki. Although he’d rather be composing than competing, he has also distinguished himself with qualifying for the All Ireland accompaniment competition.

The three of them have appeared onstage with The Chieftains, John Whelan, Paddy Keenan, The Teetotallers, and Altan. Haley has performed on the worldwide FleadhTV webcast, and was featured in Fiddler Magazine.

Sean Smith with the Boston Irish Reporter writes of her unique and tremendous talent: “Haley doesn’t take the easy route when it comes to their repertoire of music; sure there are plenty of jigs and reels, but also slow airs, barn dances and horn pipes – including J. Scott Skinner’s outrageously intricate “The Mathematician,” a high wire act in and of itself – all of which exert their own demands and idiosyncrasies on the fiddle.”

Three friends, thirty fingers, and lots of tunes. “Haley, Keegan, and Dylan are absolutely astounding musicians and singers with skills that belie their years. Watching them play made me think that here is a true contender to any modern Celtic/roots band….Watch out scene.” Tim Edey (with The Chieftains)

For more information on the band, visit http://www.livelyfingers.com/

Green Willow & The Grand present: Paul McKenna Band (3/12/2016)

Paul McKenna Band
Saturday, March 12, 2016 – 8:00 pm

Grand Opera House – “the baby grand”
818 North Market Street, Wilmington, Delaware

Green Willow patrons can obtain a $5 discount for this show by using the code WILLOW when ordering tickets either by phone or online.

For full information on this concert and to order tickets, visit the Grand’s page.

Incorporating traditional and original material in a fresh and exciting way, Glasgow-based folk group The Paul McKenna Band has been captivating audiences throughout the USA, Canada and Europe since 2006.

Contemporary yet not straying from its roots, the unique sound of The Paul McKenna Band is created through outstanding vocals, driving guitar and bouzouki, intense fiddle playing, a warm pairing of flute and whistles and dynamic bodhrán and percussion. Named “Best Up and Coming Artist of 2009? at the MG Alba Scots Trad Music Awards, the group has been hailed by The New York Times as “The best folk band to have come out of Scotland in the last twenty years.”

Green Willow & The Grand present: Red Hot Chilli Pipers (3/13/2016)

Red Hot Chilli Pipers
Sunday, March 13, 2016 – 3:00 pm

Grand Opera House – Playhouse On Rodney Square
1007 North Market Street, Wilmington, Delaware

Green Willow patrons can obtain a $5 discount for this show by using the code WILLOW when ordering tickets either by phone or online.

For full information on this concert and to order tickets, visit the Grand’s page.

It’s The Red Hot Chilli Pipers – a 9-piece ensemble consisting of pipers, guitarists, keyboards, and drummers — who have been rocking the world from New York to Beijing to Melbourne and everywhere in between with musicianship of the highest order and a passion for pipes that will leave you breathless. The band has four music degrees from the Royal Scottish Academy of Music and Drama and all the pipers and drummers have played at the top level in bagpiping.

Since they walked away with the top prize on the primetime TV talent show, “When Will I Be Famous” in the U.K. in 2007, the Red Hot Chilli Pipers haven’t stopped for a breath, other than to inflate their bagpipes! Formed in 2002, The Chillis have fast become a global phenomenon, taking their signature ‘Bagrock’ sound to the masses with their unique fusion of rocked up Bagpipes and clever covers of popular songs from all genres. Their trademarked sound is a unique fusion of traditional pipe tunes – like “The Flowers of Scotland”, “The Hills of Argyll”, and “Amazing Grace” (done Chilli-style, of course!) — and contemporary anthems like Queen’s “We Will Rock You”, “Clocks” by Coldplay, “Chasing Cars” by Snow Patrol, “Let Me Entertain You” by Robbie Williams, and a fantastic rock medley of “Deep Purple”, “Smoke on the Water”, and AC/DC’s “Thunderstruck”.

Green Willow & The Grand present: “Rhythm In The Night” (3/15/2016)

“Rhythm In The Night”: The Irish Dance Spectacular
Tuesday, March 15, 2016 – 3:00 pm

Grand Opera House – The Playhouse On Rodney Square
1007 North Market Street, Wilmington, Delaware

Green Willow patrons can obtain a $5 discount for this show by using the code WILLOW when ordering tickets either by phone or online.

For full information on this concert and to order tickets, visit the Grand’s page.

Referred to as ‘Sensational’ by the Akron Legal News, the 110-minute phenomenon, Rhythm in the Night, The Irish Dance Spectacular, reimagines traditional Irish dance to take the audience on an exciting journey of a fallen hero and his rise to redemption for an unforgettable experience the entire family will enjoy! Led by former Michael Flatley’s Lord of the Dance lead dancer, Justin Boros, the accomplished cast featuring 20 of the world’s most skilled Irish dancers and musicians brings the inspiring story of love and salvation to life against a backdrop of ancient ruins that transports the audience to another time and place where the imagination unfolds. The world-renowned Irish dance troupe performs lighting fast hard shoe rhythms and graceful soft shoe jigs to an epic orchestral soundtrack, while state of the art lighting ignites the stage into an explosive display of dance and music. Strength, agility and precision formulate the fastpaced and breath-taking experience on stage as the cast performs to the heartpounding and fluid symphonic music that has enthralled audiences all across North America!

Green Willow & The Grand present: “Celtic Nights” (3/19/2016)

Celtic Nights – Spirit of Freedom
Saturday, March 19, 2016 – 8:00 pm

Grand Opera House – Copeland Hall
818 North Market Street, Wilmington, Delaware

Green Willow patrons can obtain a $5 discount for this show by using the code WILLOW when ordering tickets either by phone or online.

For full information on this concert and to order tickets, visit the The Grand’s page.

Just as a plant craves light, Celtic people are drawn to music and song. Scattered around the world like seeds on the wind, they are propelled by the powerful rhythms and motifs of a mysterious and exuberant ancient culture. Music is the soul, the very lifeblood of their tradition. It binds them together, even as it sets them apart. This driving passion for music and dance is the keystone of Celtic identity.

Their response to melody, lyric, and the crisscrossing rhythms of Irish dance is reflexive, intuitive, and filled with joy. The Irish embrace their musical culture like no other nation. And their pride in artistry is its own reward. Above all else, it is this natural affinity with music and song that has given Celtic people a truly global voice. A Celtic Voice. Every thundering dance tune and plaintive melody is a separate thread in the broad and colorful tapestry of Celtic music.

Spirit of Freedom tells the story of Irish independence, beginning 100 years ago with the Easter Rising. Akin to America’s 4th of July, the Easter Rising of 1916 created the Ireland we know and love today. Through music, song, dance, and storytelling, Celtic Nights honors the struggle of a people fighting to gain freedom, independence, and true democracy.

MĂĄire NĂ­ Chathasaigh & Chris Newman (5/24/2016)

Tuesday, May 24, 2016 – 7:30 pm

MĂĄire NĂ­ Chathasaigh & Chris Newman

Blue Ball Barn

1914 West Park Drive (Alapocas Run State Park), Wilmington, Delaware

Tickets: $22.00 Advance Reserved/$25.00 at Door/Age 17 & under FREE when accompanied by a paying adult

Seating is limited and reservations are recommended.  Doors open at 7:00 pm.  Cash or check accepted for payment.  E-mail concert ticket reservations to reservations@greenwillow.org or call 302-456-3242.

The celebrated virtuoso partnership of “the doyenne of Irish harpers” (SCOTLAND ON SUNDAY) and “one of the UK’s most staggering and influential acoustic guitarists” (fROOTS) has brought its special musical vision to venues large and small – from the tiniest of historic churches in England, Germany and Italy to palaces in Kyoto and Istanbul, London’s Barbican, Sydney Town Hall and the Philharmonie in Cologne – in twenty-two countries on five continents and now Returning to Delaware, having last performed for Green Willow in 1994. Their performances – described by THE IRISH TIMES as “music of fire and brilliance from the high-wire act in traditional music” – are rooted but eclectic, emotional but adventurous: a breathtaking blend of traditional Irish music, hot jazz, bluegrass and baroque, coupled with striking new compositions and Chris’s delightfully subversive wit.

MĂĄire NĂ­ Chathasaigh (pronounced “Mawra Nee ha ha see”) is one of Ireland’s most important and influential traditional musicians; in 2001 receiving Irish music’s most prestigious award, that of TRADITIONAL MUSICIAN OF THE YEAR – GRADAM CHEOIL TG4 – “for the excellence and pioneering force of her music, the remarkable growth she has brought to the music of the harp and for the positive influence she has had on the young generation of harpers.” A West Cork background steeped in the oral tradition led her, while still a teenager, to develop new techniques that made it possible for the first time to play traditional music on the harp in a stylistically accurate way. She won the All-Ireland and Pan-Celtic Harp Competitions several times and in 1985 recorded the first harp album ever to concentrate on traditional Irish dance music, The New-Strung Harp – “an intensely passionate and intelligent record and a milestone in Irish harp music” (THE IRISH EXAMINER.) Her approach has been profoundly influential wherever lever harps are played – “a single-handed reinvention of the harp.”

Chris Newman is a “brilliant English master of the acoustic guitar” (THE DAILY TELEGRAPH), a “dazzling player” (ACOUSTIC GUITAR, USA) whose work is “nothing short of brilliant” (DIRTY LINEN, USA). He began to play guitar at the age of four and at fourteen played his first paid gig in a folk club. A prolific composer, arranger and record producer, he’s played with luminaries of many musical worlds: folk (harper MĂĄire NĂ­ Chathasaigh, Boys of the Lough, Aly Bain, Kathryn Tickell, Danny Thompson), jazz (StĂ©phane Grappelli, Diz Disley and Danny Thompson again) and comedy (Fred Wedlock, the Pigsty Hill Light Orchestra) – receiving a silver disc for producing Fred’s international hit “The Oldest Swinger in Town”, to which he also composed the tune and which reached No 2 in the charts in the UK and No 1 in several other countries. As Fred’s Musical Director and bandleader, appearances on such iconic national TV progammes as BBC’s “Top of the Pops” followed. One day in 1985 he decided he’d really rather play interesting music than pursue interesting paychecks, so turned his back on the commercial world and returned to his folk and improvisational roots. He has since concentrated on composition, the traditional music of these islands and beyond, and bluegrass and its intersection with the cutting edge of swing jazz – he and Beppe Gambetta are probably the most highly-regarded American-style flatpickers in the world who are not from the US, and he has shared the stage on a number of occasions with Beppe, Dan Crary, Mark Cosgrove and many other such luminaries. He is a regular flatpick guitar instructor and performer at Steve Kaufman’s Acoustic Kamp, held annually in Maryville, TN.

For more information, visit www.maireandchris.com

Green Willow & The Grand present: Cherish The Ladies “Celtic Christmas” (12/16/2015)

Cherish The Ladies “Celtic Christmas”
Wednesday, December 16, 2015 – 8:00 pm

Grand Opera House – Copeland Hall
818 North Market Street, Wilmington, Delaware

Green Willow patrons can obtain a $5 discount for this show by using the code WILLOW when ordering tickets either by phone or online.

For full information on this concert and to order tickets, visit The Grand’s page.

Under the leadership of the dynamic and irrepressible flute and whistle champion Joanie Madden, these ladies create an evening that includes a spectacular blend of virtuoso instrumental talents, beautiful vocals, captivating arrangements, and stunning step dancing. Their continued success as one of the top Celtic groups in the world is due to the ensembles ability to take the best of Irish traditional music and dance and put it forth in an immensely entertaining show.