ADVANCE SALES HAVE ENDED, BUT TICKETS WILL BE AVAILABLE AT THE DOOR
Doors open at 6:30 pm. Cash, check or credit card accepted for payment at door. Light refreshments will be available for purchase. The Blue Ball Barn is a Delaware State Parks system facility. Park entrance fees will not be in force during the concert. Ample free parking is available at the venue. No alcoholic beverages will be permitted.
Kevin Burke will perform a solo concert for the Green Willow on Thursday, April 25 at the Blue Ball Barn in Alapocas Run State Park near Wilmington, Delaware
Kevin Burke’s fiddle playing has been at the forefront of traditional music since the 1970’s. His far-reaching solo album, “If the Cap Fits” and his work with such distinguished performers as Arlo Guthrie, Kate Bush, Christy Moore and the Bothy Band established him as a first class musician. Never one to be restricted by geography or genre, his decades long career has seen several innovative collaborations with notable musicians of differing styles – Classical, Old Time, Bluegrass, Pop and Rock as well as the Irish Traditional music for which he is so well known. Some of the eminent players he has worked with are: Grammy winner, singer and instrumentalist Tim O’Brien; Liam O Maonlai, lead singer of the Hothouse Flowers; classical violinists Gilles Apap and Greg Ewer; Old Time favourites, The Foghorn String Band; renowned Irish bands Dervish, Solas and Lunasa and his most recent recording is a collaboration with veteran Rock guitarist John Brennan(Poco, Chris Hillman Band and others).
Kevin has earned international acclaim in both Europe and America as a solo performer, a teacher and as a member of some of folk music’s foremost groups including the exciting Celtic Fiddle Festival and Ireland’s long admired and respected Patrick Street. In 2007 he also set up his own record label, “Loftus Music”, which soon developed a reputation for excellence in both its musical output and its unique eco-friendly packaging.
His contribution to music has received formal acknowledgement on both sides of the Atlantic where he has been the recipient of several awards including Ireland’s “Gradam Ceoil” (Traditional Musician of the Year, 2016), and a National Heritage Fellowship, the USA’s highest honor for excellence in the folk and traditional arts. (Previous National Heritage Fellows include B.B. King, Doc Watson, and Bill Monroe.) Kevin has also been honoured by his adopted home state with his induction to the Oregon Music Hall of Fame .
In 1980 Kevin settled in the USA and was performing with Bothy Band colleague Micheal ODomhnaill. Their 2 albums, “Promenade” and “Portland”, became, and still are, very influential resources for many traditional musicians.
In the mid Eighties Kevin was a founding member of two influential groups, “Open House” and “Patrick Street”, whose recordings and performances were greeted with great acclaim both in Europe and US. In the mid Nineties Kevin was a founding member of yet another successful and enduring traditional group – “The Celtic Fiddle Festival”, this time with Johnny Cunningham from Scotland and Christian Lemaitre from Brittany.
Although Kevin has spent much of his life playing in a group context, he has never lost his love for solo fiddle music – the “naked fiddle” as he himself sometimes puts it. This is very evident in his new live solo release, “An Evening with Kevin Burke”, a collection of performances and stories before audiences in Ireland and US, including his home town of Portland, Oregon.
Once again, the Green Willow Folk Club is proud to collaborate with Wilmington’s Grand Opera House to co-sponsor several of the Celtic/British Isles music and dance events in their current 2016-2017 season at their main venues on Market Street in Wilmington, as well as The Playhouse on Rodney Square.
Green Willow patrons can score a discount on tickets for these events by using the code ‘WILLOW‘ when ordering tickets online or by phone. The information below on each of these shows includes a direct link to order tickets online. To see all the upcoming offerings at The Grand, visit their main website at thegrandwilmington.org.
Thursday, January 19, 2017 – 8:00 pm
Enter The Haggis
We Banjo 3
Copeland Hall, The Grand Opera House 818 North Market Street Wilmington, Delaware
The best and latest Celtic music from Ireland and Scotland, these
Enter The Haggis (1/19/2017 – the baby grand)
two bands will delight with their stunning combination of tradition and innovation. Direct from Galway, We Banjo 3 delighted Grand audiences as openers for Gaelic Storm two years ago, and came back for a headline show in the baby grand. The group does not have 3 members, and they don’t all play the banjo; but they do entertain
We Banjo 3 (1/19/2017 – the baby grand)
with a program that is offbeat, funny, and incredibly well-performed. After all, the band includes three all-Ireland music champs. The Irish Echo hails We banjo 3 as “freshness and finesse bordering on magical.” Enter The Haggis, a Toronto-based band, performs contemporary Celtic music with a rock edge. Imagine bagpipes and fiddles backed up with a rock n roll rhythm section! Festival circuit favorites for more than 20 years, Art Voice says Enter The Haggis is “innovative yet true to tradition” and the Washington Post exclaims “no one can anticipate the level of energy they throw down.”
February 21 thru 26, 2017 – (Evening & Matinee Performances, check website for times)
Riverdance: 20 Years
The Playhouse on Rodney Square 1007 North Market Street Wilmington, Delaware
The international Irish dance phenomenon—and one of the highest
Riverdance: 20 Years (2/21 thru 2/26, 2017 – Playhouse on Rodney Square)
grossing shows in Playhouse history— is back by popular demand in Riverdance – The 20th Anniversary World Tour. Drawing on Irish traditions, the combined talents of the performers propel Irish dancing and music into the present day, capturing the imagination of audiences across all ages and cultures in an innovative and exciting blend of dance, music and song. Of all the performances to emerge from Ireland—in rock, music, theatre and film—nothing has carried the energy, the sensuality and the spectacle of Riverdance.
Riverdance – The 20th Anniversary World Tour is composed by Bill Whelan, produced by Moya Doherty and directed by John McColgan, and comes directly to North America from a sold-out run across Europe and Asia.
the baby grand, The Grand Opera House 818 North Market Street Wilmington, Delaware
Fiddler, singer, and stepdancer April Verch knows how relevant an old tune can be. She took the leap into professional musicianship at a young age, and has been quietly leaping into new, nuanced places for
April Verch (2/25/2017 – baby grand)
more than two decades. Now on her milestone 10th album The Newpart, released in April 2015, Verch digs deep into songs and tunes for the era before the often-mined mid-century heyday of bluegrass and folk. Harkening back to vaudeville and beyond, Verch and her fellow trio members pare down their arrangements, highlighting the simple pleasures of upright bass, guitar, clawhammer banjo, mandolin, voices, fiddle, and stepping in intimate conversation. At the heart lie Verch’s delicate voice, energetic footwork, and stunning playing, a trifecta of talents she brings together simultaneously for the first time on stage. Verch keeps the community-fired celebratory side of her music at the forefront, honing a keen awareness of how to engage contemporary listeners. Even as she plays with the tradition she inherited in her native Ottawa Valley, Verch’s energetic and breathtaking performances speak to the heart of roots music with mature and reflective songwriting, interpreting, and storytelling.
Copeland Hall, The Grand Opera House 818 North Market Street Wilmington, Delaware
After nearly two decades and more than 3,000 live shows, Gaelic Storm — the chart-topping, multi-national Celtic band — is looking sharper than ever with their latest release, Matching Sweaters. The new album mixes traditional Irish music with modern influences, creating a sound that’s as wide-ranging as the band’s own audience.
From bluegrass fans and country cowboys to Deadheads, rock &
Gaelic Storm (3/2/2017 – Copeland Hall)
rollers and Celtic fanatics, Gaelic Storm has built one of the most diverse fan bases in modern music. Matching Sweaters helps explain the broad appeal. Rooted in the songwriting of founding members Patrick Murphy and Steve Twigger, the album moves from drinking songs (“Another Stupid Drinking Song”) to energetic instrumentals (“The Narwhaling Cheesehead”) to rootsy pop/rockers (“Whiskeyed Up and Womaned Out”), gluing everything together with the spark and spirit of a band that’s spent close to 20 years on the road.
the baby grand, The Grand Opera House 818 North Market Street Wilmington, Delaware
The musical partnership between Alasdair Fraser, known as Scotland’s premier fiddle ambassador, and the sizzlingly-talented young California cellist Natalie Haas may not seem an obvious one. But the pair displays dazzling teamwork, driving, dancing rhythms,
Alasdair Fraser & Natalie Haas (3/9/2017 – the baby grand)
and their shared passion for improvising on the melody and the groove of Scottish tunes. Their two instruments duck and dive around each other, swapping melodic and harmonic lines, and trading rhythmic riffs. Fraser, who has been called “the Michael Jordan of Scottish fiddling,” has a concert and recording career spanning 30 years, with a long list of awards, accolades, television credits, and feature performances on soundtracks like Last of the Mohicans and Titanic. Natalie Haas, a graduate of the Juilliard School of Music, wasn’t even born when Alasdair was winning national fiddle competitions on the other side of the Atlantic. Now regularly touring with Fraser and creating a buzz at festivals and in concert halls throughout Europe and North America, Natalie is in the vanguard of young cellists who are redefining the role of the cello in traditional music. The duo’s debut recording, Fire & Grace, won not only critical acclaim, but also the coveted Scots Trad Music “Album of the Year” award, the Scottish equivalent of a Grammy.
The Playhouse on Rodney Square 1007 North Market Street Wilmington, Delaware
A unique program that blends Ireland’s traditional musical vocal
The Five Irish Tenors (3/16/2017 – Playhouse on Rodney Square)
heritage with a modern, vibrant contemporary Ireland. Featuring classics such as “Danny Boy” and “My Wild Irish Rose” alongside Bono’s “In a Lifetime” and Brendan Graham’s “You Raise Me Up”.
The Five Irish Tenors in “Voices of Ireland” presents a thrilling,
dynamic program of joy and passion, spirit and love, performed by this magnificent group of Ireland’s leading tenors.
Friday, March 31 thru Sunday, April 2, 2017 (Evening & Matinee Performances, check website for times)
ONCE
The Playhouse on Rodney Square 1007 North Market Street Wilmington, Delaware
Winner of eight 2012 Tony Awards® including BEST MUSICAL, ONCE is a truly original Broadway experience. Featuring an
ONCE (3/31-4/2, 2017 – Playhouse on Rodney Square)
impressive ensemble of actor/musicians who play their own instruments onstage, ONCE tells the enchanting tale of a Dublin street musician who’s about to give up on his dream when a beautiful young woman takes a sudden interest in his haunting love songs. As the chemistry between them grows, his music soars to powerful new heights… but their unlikely connection turns out to be deeper and more complex than your everyday romance. Emotionally captivating and theatrically breathtaking, ONCE draws you in from the very first note and never lets go. It’s an unforgettable story about going for your dreams… not living in fear… and the power of music to connect all of us.
1914 West Park Drive (Alapocas Run State Park), Wilmington, Delaware
Tickets:Â $25.00 Advance Reserved/$28.00 at Door/Age 17 & under FREE when accompanied by a paying adult
Seating is limited and reservations are recommended. Doors open at 7:00 pm. Cash or check accepted for payment. E-mail concert ticket reservations to reservations@greenwillow.org or call 302-456-3242.
Maggie Sansone brings a unique beauty and vision to the ancient music of the Celts. Her albums ring with a Renaissance spirit, Celtic melodies, and a jazzy new crossover into what she calls "cool Celtic." It’s a fusion of ancient sounds and modern sensibility, fueled by the innovative use of old and new instruments. At the center of it all, there are the percussive yet melodious sounds of Maggie's wooden mallets dancing across the dulcimer's seventy strings. Ms. Sansone has recorded over a dozen albums both solo and with other recording artists including Bonnie Rideout and Ensemble Galilei.
Sharon Knowles has been playing the clarsach, the Celtic Harp, for over twenty years. She is a harp tutor for The House of Musical Tradition in Washington, D.C. and has performed at the Library of Congress and The Supreme Court of the United States. With over thirty years of devotion to traditional fiddle styles, including a Grammy-nominated album, Andrea Hoag has earned an international reputation as both a tradition-bearer and innovator. Winning the Washington area "Best Traditional Folk Instrumentalist," her music has been featured on NPR's All Things Considered and Performance Today, at the Kennedy Center and Library of Congress, and at numerous venues around the U.S. and Sweden
